Eddie Murphy Joined ‘Saturday Night Live’ as the

It’s hard to imagine the last four-plus decades of television without Saturday Night Live, yet an entertainment scenario minus the NBC comedy sketch show was almost a reality in the early 1980s when the show’s producer Lorne Michaels co-founded the show with the original 30 Went out of the rock were on-screen and writing talent. Lucky for longtime fans, a young Eddie Murphy joins the cast and helps save SNL, solidifying his place in the comedy stratosphere.

Michels took the role of executive producer at the end of the 1979–80 season with former associate producer Jean Doumian, citing burnout after five years at the helm. Some staff members who chose to stay were loyal to Michaels – who found that he was unhappy with the move by Daumanian – and decided to leave the solidarity. Daumian was confronted to retrieve all players and writers.

 

“We [Murphy] got into the comedy strip,” Doumanian told the Hollywood Reporter. “He came to audition for me. The minute he left, he had star power. “Due to huge budget cuts, Murphy was initially contracted as a special player, but the network soon took notice of the emerging comedian and was promoted to a regular position.

Prior to Murphy joining ‘SNL’, critics called the show ‘Saturday Night Dead’

Season six was not well received by fans or critics, with some calling the show “Saturday Night Dead”. Murphy did not appear in the first episode and was re-charged for a cameo in only one sketch in the second.

Viewers caught the comedian’s attention when he portrayed student basketball player Rahim Abdul Muhammad on “Weekend Update”, who was opposing a ruling by a Cleveland judge that all high school teams have at least two white players needed.

“We haven’t got much. At least we have basketball. Isn’t anything sacred?” Murphy, as Muhammad said. “Whenever we have something good, all of you have to move on. We all wore platform shoes in the sixties, then you all wore platform shoes. In the early seventies, we hung our hair and in the late seventies, you had to tie your hair. . Now it is 1980 and we are on welfare. By the end of next year, you’re going to be all good. ”

Murphy’s star was rising and he was given more SNL appearances, but the show was still struggling. With the ratings declining, all players except Doomian and Murphy and Piscopo were eliminated at the end of the season. Dick Ebersole – who was responsible for hiring Michaels in 1975 – stepped in as executive producer and Murphy was rolled seven times by the time the season was given even more air time.

He produces memorable characters such as Buckwheat, Gambi, Dion, Velvet Jones, and Mr. Robinson, as well as hilarious impressions in James Brown (“James Brown’s Celebrity Hot Tub Party”), Stevie Wonder, Muhammad Ali, Jerry. will build. Lewis, Bill Cosby, Jessie Jackson, Mr. T and Michael Jackson.

Murphy ‘saved the franchise’

SNL ratings increased and Murphy was soon to offer fielding to appear on the big screen. He completed 48 Hours, Trading Places and early production work on the Beverly Hills Cop, while still appearing on late-night shows. His comedy albums Eddie Murphy and Eddie Murphy: Comedians each went to sleep. Murphy had assumed the vehicle that made him a star and was now one of the world’s most popular entertainers.

“A Franchise Save the Franchise,” James A. Miller, co-author of Live from New York: The Complete, Unsecured History of Saturday Night Live to be Told by Its Stars, Writers and Guests, said ThinkProaring in 2015, “I think There are a lot that should be argued about who could be the best cast member or the funniest artist, but I think 19-year-old Eddie Murphy did the Saturday Night Live Su was sliced ​​at a time when its future was very uncertain.

It was a time when there were not a lot of standouts in the cast … many others were in SNL. “Which reached 40 years in the air. But Eddie was important.”

Murphy had the ability to “carry a sketch”, said Miller, who has seen only one person in very few skits in SNL’s decades. In Live From New York, Chris Rock told Murphy, “Eddie was the biggest star. Anyone saying anything differently is making a racist argument.”

Inside Robin Williams

The friendship between Robin Williams, Whoopi Goldberg and Billy Crystal was initially established to make people laugh in an effort to do good. It deepened into an extremely close bond that lasted for over three decades and career fluctuations as well as personal heights.

When Williams committed suicide at her Northern California home on August 11, 2014, the world lost, as Crystal honored her late friend less than two weeks ago at the Primetime Emmy Awards by saying, “Our comedy galaxy Brightest star in the world. ” but. Crystal and Goldberg, they lost not only a comedy cohort, but a friend whose existence was deeply woven into the fabric of their lives.

Williams took Goldberg under his wing

Goldberg and Williams first met in the late seventies when, after the first-year success of Mork & Mindy, Williams arrived at the Comedy Store in San Diego, where Goldberg was performing. “We will improve. It was Robin Williams! “Goldberg remembered when he honored his friend with Crystal during a taping of The View in 2014.

“When we met again, it was, grew up boy you grew up! ‘… and then Babasat took care of me and [as long as] I could remember. And we grew up together. And grew up together. There was nothing we couldn’t do together. We can’t do anything. ”

Goldberg and Williams reunited in the mid-eighties when, in conjunction with Crystal, they were approached to appear in the first Comic Relief charity Telethon in the United States. Based on an English charity of the same name and dedicated to the memory of comedian Andy Kaufman, the American version closed in 1986 and has since raised over $ 70 million for the charity that provides support for people living in poverty .

Williams, Goldberg and Crystal hosted the event’s four-hour Plus Youth Fund which aired on HBO and includes comics such as George Carlin, Richard Dreyfus, Penny Marshall, Howie Mandel, Minya Pearl and Bobcat Goldthwaite. The first telethon netted more than $ 2.5 million for the charity and the trio will continue to host specials through 2006.

Krystal joked that she and Goldberg ‘were like parents to Williams Williams.’

While discussing his “friend and brother” on The View, Goldberg asked Krystle who was Williams that they really knew? “I’m not sure,” Krystal replied smiling. “He was such an amazing artist … Many times, the three of us would have been on stage and Whoopi and I would have been like his parents and we’d have taken out the crazy son. Working with him just got so magical … But for us, it was a chance to get to know each other and we became friends. ”

The personal bond between the off-stage stars deepened, as they helped the proceeds from Comic Relief go to different charities, shelters around the country and present checks. These were far from the headlines where they could be their true selves, no pressure to be funny or to joke.

The trio regularly had long phone calls and used to leave each other funny.

Although they met in the stand-up comedy circuit in the late seventies, Williams and Crystal’s friendship was frozen by comic relief. “It became a wonderful bond and we were fiercely guarding each other. Brilliantly, “Crystal recalled Goldberg of the time.” We were very protective of Whoopi.

When [he] would host the Oscars – Robin lived in San Francisco and I’m in LA — he was inaugurating it. Is and the phone will ring. “It was Williams. “How do you think she’s doing, boss?” Krystal recalls asking Williams. Friends will then remain on the phone throughout the telecast, offering praise, support, and commentary on Goldberg’s latest gig.

Long phone calls became a regular occurrence among the trio. Particularly for Crystal and Williams who frequently conduct entire conversations in the voices of the characters they created. In the 2018 documentary Robin Williams: Less Inside My Mind, Krystal says she always knew it was going to be a wonderful day if she received a missed call from her friend.

“The phone rings and I look at it and see the 415-area code. I knew it was him. I knew it was going to be something really cool,” recalls Krystal in the film. Williams. Will conduct the call as Ronald Reagan, or a character he coined, such as Sam to the Sibylance Society.

When Williams underwent heart surgery in 2009, Crystal left him with more than a dozen voicemails from Winnie the Valve Guy, a character Crystal had “supplied him with a valve” that was inserted during Williams’ surgery.

Lenny Bruce’s Obscenity Trial Challenged

One of the most influential stand-ups in history, Lenny Bruce burst onto the stage in the 1950s, forever replacing comedy with his free-form, no-holds-barred performances. His caustic social commentary made him a legend. But it also targeted him for his critics and law enforcement, leading to a notorious arrest in 1964 that put both Bruce and free speech to trial.

Bruce voiced his career early in his career

Born on Long Island, Leonard Schneider, the son of a shoe clerk and a dancer, turned to entertainment during World War II after a teenager’s stint in the US Navy and as an Emmy at a Brooklyn nightclub soon after returning from service Made its first appearance in.

Bruce’s early work was traditional, focusing on ineffective material such as celebrity parodies and impressions that got him bookings on radio variety programs. But Bruce soon became dissatisfied.

An admirer of the beat generation of artists and writers and a music devotee, he was deeply influenced by the free-flowing, improvisational nature of jazz that he felt suited his stage performances, along with his own dark, sarcastic approach. There may be taboo topics like politics, religion, race, gender, and drugs (Bruce began his drug addiction during this period).

After marrying and moving to California, Bruce began to pursue his new assignment, gaining fans and detractors. Many were surprised not only by his vulgar language but also by his subject.

As his career progressed, no subject or person was spared, as he raided against the alleged hypocrisy of establishment figures and triggered sharp criticisms from religious, social and political leaders. Even the first women, like Ellen Roosevelt or Jacqueline Kennedy, would not be spared, making the mainstream media a “sick comic”.

By the mid-1950s, Bruce was performing nationwide and released a series of comedy albums. But his growing notoriety and refusal to conform led to him being blacklisted from several popular television shows, fearing that his provocative work would relieve Eisenhower-era audiences.

He made only a few appearances on national network television during his career, and those shows suggest that the book he did often tried to censor his material. Despite this, he continued to make a name for himself, and in February 1961 he played a landmark gig in Carnegie Hall, New York, which many historians consider to be the biggest part of his career.

A few months after his great success his legal troubles began.

Bruce is involved in his financial fraud due to a troubled marriage to a stripper and showgirl, for which he is not convicted. But his controversial act and lifestyle caught the eye of law enforcement across the country.

He was arrested on charges of substance abuse in Philadelphia and pornography in San Francisco in late 1961, but acquitted. A 1962 drug charge was dropped in Los Angeles, but in 1963, he was convicted of obscenity after being arrested on stage in Chicago. In poor health due to his growing legal troubles and drug addiction, Bruce decided to return to New York.

But powerful forces were already strong against him. Manhattan District Attorney Frank Hogan begins his investigation of Bruce in conjunction with local church officials, including Archbishop Francis Cardinal Spellman. When he was booked into the popular Greenwich Village nightclub Café Ao Go Go in 1964, detectives recorded two of his shows, which he presented to a grand jury to receive the indictment.  The club owner was also arrested for allowing Bruce to display the material.

Bruce’s trial became a media sensation

Dozens of notable artists signed a petition for Bruce’s arrest, including actors Paul Newman, Elizabeth Taylor and Richard Burton, writers Susan Sontague, Norman Mailer and James Baldwin, singer Bob Dylan, and fellow cast members, including Woody Allen.

Bruce hired a team of prominent First Amendment lawyers, including Ephrem London, who would later argue several free speech cases before the US Supreme Court. When the July trial began, the jam-packed courtroom listened to the prosecution’s case, including audio recordings of Bruce’s performance and re-enactment of his routine by undercover police, which the prosecution alleged Masturbation was an act of fake on stage.

Tina Fey Used Her Real Life as Inspiration for the Unforgettable

When Tina Fey wrote the screenplay for Mean Girls, she based on Rossalind Wiseman’s 2002 bestselling self-help book, Queen Bees and Wanabies: Helping Your Daughter Survival Clicks, Gossip, Boyfriend, and Other Reality of Adolescence.

To make the 2004 high school comedy so good, however, he had Fei Fei personally associated with his own life. In fact, Bhole’s story, formerly homescond transfer student Caddy Heron (Lindsay Lohan) navigates the trails of teenage life at the hands of Queen Bee Regina George (Rachel McAdams) and her army of “plastics” – including Gretchen Wrenners (Lacy ) Included.

Chebert) and Karen Smith (Amanda Seyfried) – probably full of Fayette’s experiences, as Gretchen’s hair was full of secrets.

Graduates of Upper Darby High School in Pennsylvania – and, remembering “Nude Times” in the past, admitted, “Fell, poisonous, bitter behaviors had no purpose, which I revisited my high school practices.” Done.

Regina George’s famous compliment is inspired by Fay’s mother

The line was, of course, delivered by the ruthless Regina, shaped by another member of Fei’s house: her mother, Xenobia “Jean” Fay. In one of the film’s memorable moments directed by Mark Waters, Regina applauds a classmate’s “adorable” outfit in the hallway, saying, “Oh my God, I love you your skirt. Where did you get it from?” After the do-gooder leaves, however, Regina turns to Caddy and ridicules him, “This is the worst looking skirt I’ve ever seen.”

The scene was directly from Jean’s playbook. “My mom has the habit that if she sees a woman in a really ugly hat or a fabulous sweatshirt, she’ll go ‘I Love Your Shirt’ and I’ll say ‘Mom, that’s really what it means,” Fei said. A revealing interview. “And she would say ‘clearly she wanted someone to notice that shirt. She took it out. There’s a huge teddy bear on it.”

Cady Heron was named after Fay’s college roommate

On one hand, high-quality dialogue, even the names of many of the film’s characters, came directly from Saturday Night Live Fitam’s past. When she was a drama student at the University of Virginia in the early 90s, she shared an apartment in Charlottesville with a friend named Caddy Gary, who according to UVA alumni magazine is named Lohan’s protagonist.

Glenn is the real name of Coco Fay’s brother’s friend

As Glen Coco, the infamous recipient of four Candy Cane Grams (“You go, Glen Coco!”), He was named after Fay’s brother, a friend of Peter’s. “I tried to use real names in writing because it is too easy,” she later explained. “My older brother’s good friend is Glenn Coco. He’s a film editor in Los Angeles, and I imagine a pain in the butt for him. Someone said to me, you can buy a shirt at Target that says Gl. You go, Glen Coco! ‘It was unexpected. ”

Asli Janis Ian is a musician who performed on ‘SNL’

Music aficionados also know that not only is Janice Ian (portrayed in Mean Girls by actress Lizzie Caplan) a real person, but the Grammy-winning singer also has a famous SNL connection. When the NBC sketch comedy series premiered in 1975, Ian was the show’s first musical guest.

Not only this, his 1975 song “At Seventeen” can also be heard in the background during the film. And don’t forget that among the film’s cast were Fay’s SNL collaborators Amy Poehler, Tim Meadows and Ana Gustier. (The show’s producer, Lorne Michaels, also worked as a producer for Mean Girls.

The film’s relatability is ‘this little trap to catch girls’

As far as Wiseman is concerned, Fay’s vision was the only one she felt could do her book justice. Wijman once said, “People talked about turning it into a film or TV show, and I had no problem rejecting them because it was always something that was cheap.” “Then Tina called … I knew it was important to her that it wouldn’t be stupid.”

She continued, “I have had a lot of success in my life by working with women who are smart and funny and Tina fits into that category. From that time until I came out, I said yes, it has been about 18 months.

A Stranger Gave a Struggling Carol Burne

Comedy icon Carole Burnett and the millions of people who have watched her Emmy-winning variety series, The Carroll Burnett Show, may not have had the time for the generosity of some anonymous beneficiaries over the years.

On at least two occasions, strangers – such as many – were so enamored with Burnett’s raw talent and unquestionable magnetism that he made investments that have yielded dividends in the form of countless laughs that the comedian made over his 60s Period – Your career is achieved.

Barnett was raised by his grandmother and struggled to make ends meet

To fully understand the impact of money on his career, Burnett’s humble beginnings must be looked at. In the 1930s, Burnett’s parents, writer Crayton and movie theater manager Joseph, uprooted the family from their San Antonio, Texas, home and moved to Los Angeles. Soon after the move, Burnett’s parents split up, and, as described by the Peabody winner, the two became alcoholics.

The two girls moved into a studio apartment with their grandmother, Mabel White, due to her parents being unable to take care of her and her younger step sister Chrissy. Hollywood’s weapons were manufactured, dingy, and White, sometimes forced to steal silverware, so he and his granddaughters had the utensils with which they were dined.

She was able to pay for college because a stranger left tuition money in Burnett’s mailbox

Burnett later graduated from Hollywood High in 1951 and was admitted to UCLA. Despite Burnett’s acceptance into college, his family was barely able to afford the $ 30 a month rent, and as such, he certainly could not afford to pay UCLA’s $ 50 annual tuition. One day while visiting the mailbox of her apartment, Burnett finds an envelope address containing the money to pay for her education.

“I still don’t know who it was,” she has said. “But I did get to go to UCLA.”

The comedian began studying in journalism, but later began to study theater and was mesmerized by the feeling of an audience laughing. During his freshman year at UCLA, Burnett was also named the “Most Promising Newcomer” – the first of many awards he would receive during his career. (Recently, Burnett revealed that even today, he still received a handwritten award in his office.)

Mystery Man, who loaned Burnett, promised to help others when he grew up

Catching the acting bug, Burnett dreams of one day starring on Broadway. However, money was strapped, and such aspirations were out of his reach. This was until a second shock of fate followed the performance of a junior-year student at a house in San Diego.

Burnett is approached by a businessman and his wife, and upon learning of her difficulties, she offers both her and her future husband, actor Don Saroyan, a loan of $ 1,000 to make a cross-country trek in New York City. Of.

“I had never seen many zeros in my life,” he said, adding that the mystery man gave interest-free assistance on three terms: “First, you should never tell my name; second, you go to New York. Use money; Thirdly, if you are successful, you should promise to help others. ”

The reason for man’s generosity? “Someone had helped him make his debut in this country,” Burnett explained, noting that the man’s wife told him that he had also asked others to run gas stations and start restaurants Has helped in everything. “He was pushing it forward.”

Burnett moved to New York City, but with no job in sight, he almost quit

Upon arriving in New York City, Burnett moved to the Eltoquin Hotel, which at the time charged $ 9 for a room, but realized that $ 1,000 would not last very long. With no immediate viable prospects, Burnett admitted to shedding many tears during a call back home, during which his family insisted he pack up and return to the West Coast.

Then, he indicated that he should not give up. During a chant of her crying, it was raining outside, and Burnett detected a big storm ripening on the radio. Its name: Hurricane Carol. “Suddenly, I feel much better,” Burnett, who later became a force of nature himself, has shared. “this was good.

Doris Day

A recording sensation, a record-setting film star and an animal rights activist, she enjoyed her life as a number of friends. But Doris Marie Ann Kapelhoff, born on April 3, 1922 in Cincinnati, Ohio, only made it easy.

Her first love was dance, a career ambition stemming from an injury to her legs when she was in a car accident. She was 15 years old. A long treaty was illuminated by radio, where big band music and Ella FitzGerald took her captive. The singing lessons soon led to a local radio career.

Orchestra leader Barney Rapp saw potential in everything, but his last name and “Doris Day” entered the national stage in 1939.

Six years later, on the road with bandleader Les Brown, he scored his first hit, “Sentimental Journey”, a touchstone for the returning generation from the war. In 1945 and 1946, the band Doris Day and Les Browne sent six more songs to Billboard’s Top Ten chart.

Hollywood went uncontrollable, but she bald, only coming when songwriters Joone Stine and Sammy Kahn heard her “Embraceable You” at a party. He thought Day was a good fit for romance on High Seas (1948), a musical he had been working on at Warner Bros., and he thought right – instead of a pregnant Betty Hutton, he wrote his song “It’s Magic” at the Oscars Nominations earned. , And her first number 1 as a single.

In 1949, It’s a Great Feeling, with Dey starring Warner stars Joan Crawford and Gary Cooper as starstruck ingenue. Becoming the studio’s well-known artist for melancholic, period musicians, Tea for Two (1950) and I See You in My Dreams (1951), she quickly eclipsed most of them.

A grave turn in Calamity Jane (1953) won his signature song, “Secret Love,” an Academy Award. She did not have such a secret desire as a soundtrack album in films, as the more hit songs were sung, the more seriously she was to be taken as an actress.

The biopic Love Me or Leave Me (1955) cast her as Ruth Etting, a singer in the role of her husband and manager, a gangster played by James Cogni. Alfred Hitchcock put him and James Stewart in jeopardy in The Man Who Know They Too Much (1956), which became his signature standout for another Oscar-winning song, “Que sera, sera (whatever it would be, would be).” .

With Rock Hudson, he redefined rom-coms with the highly successful Pillow Talk (1959), for which he received an Oscar nomination. At the age of 40, and with her third husband, Dey established a bankable comic personality, a short starchy career woman who was saved from spinsterhood by a charming Rau:

the film featured Hudson ( Oscar winner for Best Screenplay) and Lover Come Back (1961) and Carrie Grant in That Touch of Mink (1962). In The Thrill of It All (1963), she played the role of a suburban housewife who, after becoming a successful commercial actress, returned to domesticity to preserve marriage. Feminist critics reached the peak of conservatism, although Dey’s most popular films have recently been reclaimed for their brilliant, independent-thinking characters.

The death of her third husband, producer Martin Melcher, exposed deep debt and a previously unknown long-term contract with CBS that locked her into a series and several specials. Aided by his son, record producer Terry Melcher, he grouped through The Doris Day Show, a program known for its curious format and cast changes from 1968 to 1973.

He listened to his widow’s grief, the loss of a $ 20 million fortune (which had touched a series of lawsuits), and debilitating her TV experience in her best-known 1975 autobiography Doris Day: His Own Story.

However, his story was different. It started in 1978 in what is today known as the Doris Day Animal Foundation, a non-profit with a lifetime interest in animal rights and the associated Doris Day Animal League in 1987.

The day began with a major pet-related event, World Spy Day. ” she said, agreeing with her fourth husband (she may have over her devotion to the cause. Blamed the breakup). His animal welfare work was cited when he received the presidential medal in 2004.

Ellen DeGeneres’ Girlfriend Was Killed in a Car Accident

In 1980, a young Ellen DeGeneres was devastated when his girlfriend died in a car accident. In her twenties she was in love with someone who awakened Dagenais to the fragility of life.

It also culminated in her famous “phone call to God” routine, as she wanted to find out why her girlfriend had left when the fleas were still around. When she wrote Bit Danares was a runaway comic living in Louisiana, but she was certain that the material would give her a breakthrough moment in a comedy career – and that turned out to be right.

The night of his girlfriend’s death, Dagnes ignored him at a concert.

In 1980, a 22-year-old DeGeneres was living in New Orleans with his 23-year-old girlfriend, Kat Paroff. When there was roughness in their relationship – reportedly due to Perkoff’s infidelity – the younger woman walked out. Although the Degeneers did not want to end things for good, they needed some time before they could reconcile. So when asked to talk to Perkoff, when they met on DeGeneres’ brother’s band’s performance, DeGeneres made excuses that she couldn’t hear him.

A rebel Perkoff left the scene. After a while, DeGeneres headed home. On the drive, he saw a car that broke down in an accident, but did not stop at the crash site (sirens indicated emergency personnel were already on their way). The next day, Dagenais finds out that Perkoff had fallen victim to that accident.

The loss was ‘catastrophic’ and the grief of the DJNers prompted her first comic monologue

Perkoff’s death affected DeGennes’s world. In 2015, she explained on Oprah’s master class that she felt guilty if her girlfriend’s fatal ride could have been prevented if the two were together, or if she should have stopped at the time of the accident. Dagness was not public about her sexuality in 1980 (she came out in 1997). Speaking to Terry Gross on Fresh Air in 2002, he said of the situation, “It was hard even because I didn’t really grieve or accept how devastating it was for me.”

In addition, DeGeners soon had to move in, as she could not rent for the space she shared with Perkoff. He ended up in an uncontrolled cellar that was colonized by the flea. In 1994, the New York Times said, “I am thinking about this beautiful girl, thinking that this beautiful girl of 23 years who has just gone,” I lay on the floor. “So I started writing. God and ask why fleas are here and this person is not.”

Although DeGeneres had never written a comedy skit before – her early comedic forces focused more on brief jokes and props, such as when she displayed a piece of clothing on stage because she “wanted to try out some new material” – The sketch flowed out of him.

In 2018, on Dax Shepard’s Armchair Expert Podcast, Degeners said, “It just surfaced, I just wrote the whole thing and when I was finished, I read it and I thought, ‘Oh my God, this is fantastic Is. I’m going to do. It’s on Johnny Carson and I’m going to be the first woman in the history of the show to be called to sit. ‘

‘Phone Call to God’ earned her a coveted seat on Johnny Carson’s couch

In his “Phone Call to God” sketch, Degeners came to grips (God had many cases to attend, the waiting music was “Onward Christian Soldiers”) He was right about his appeal – the audience enjoyed it and related to the routine.

“Phone Call to God” helped Dagenaars win a showtime contest in 1982 that awarded him the title “Funniest Person in America”. In 1986, she joined The Tonight Show Starring Johnny Carson to perform the skit as part of her stand-up routine.

At the time, a spot on Carson’s show was the best way for a comedian to take his career to the highest level. And to be one of the few comics invited by Carson to join him on the couch, instead of retreating backstage after the set, was a special honor.

When DeGeneres finished his assignment, he saw that his prediction came true: Carson was signaling him to get on the couch. She was the only female comedian to receive that invitation during her first appearance on the show. After The Tonight Show, the Degeners were soon to star on the sitcom. In 1994 she became famous with her own sitcom, Ellen (originally in Friends of Mine), which appeared in the 1997 April episode.

Before DeGeneres publicly acknowledged her sexuality, the death that led to the “phone call to God” was presented as her best friend, not the woman he loved.

Chris Farley

With a loud voice, as far as possible according to his routine, take out the physicality and pensions and then move on a bit, Chris Farley gave out-of-control characters that made him a comedy star. But his push-a-envelope approach also pervaded real life, with an incomparable appetite for food, alcohol and drugs.

His death, from an accidental drug overdose on December 18, 1997 at the age of 33, compared him to an idol, fellow comedian and Saturday Night Live player John Belushi, who died at the same age in 1982, a drug. Also from more than enough.

Both were larger-than-life characters- and off-screen. Both delighted fans with their catchy character and replaced SNL and translated that success into big screen Hollywood roles. At the time of his death, Farley was reporting $ 5 million per picture.

In 1997 Playboy stated, “I used to think that you can reach a level of success where the laws of the universe don’t apply”. It is still life on the terms of life, not on the terms of a movie-star. I still have to work on relationships.

Farley would joke about his size as a defense mechanism

He was an athlete before he was a comedy star. The son of a road-going contractor with three brothers and a sister grew up in Madison, Wisconsin. Farley’s large frame was an advantage over swimming pools and football fields, and by his senior year of high school, he stood five feet nine inches and weighed about 230 pounds.

Her size was often mocked by her classmates and to overcome any embarrassment, Farley would ridicule herself before anyone else. It was a way to make people laugh and turn them upside down, pretending that he was also joking.

After graduating from Marquette University in Milwaukee, Farley moved to Chicago, where he joined Second City, entering the comedy training grounds of Dan Akroyd, Martin Short, Gilda Redner, and Murthy Belushi, actor in National Lampoon’s Animals Farley came to applaud after watching. House. It was in another city, where he learned that big physical comedy attracted big laughs.

Farley said in 1997, “All the fat comics, they’re my favorite,” I saw them again and again. “They show their heart and their vulnerability.”

He would do anything to laugh

Farley was touring with Second City in 1989 when he was invited to audition for SNL. He later joined the cast as a junior member in 1990 with Adam Sandler, Rob Schneider, David Spade and Chris Rock, and lived there until 1995. Bursting with energy and willing to do anything for a laugh, he introduced popular characters such as the audience.

Matt Foley as the motivational speaker, Cindy the Gap Girl, Bill O’Sonkey’s Todd O’Connor of Superfans, Lunch Lady, and stripper auditioning for the Chippends with Patrick Swayze. Her celebrity impressions included Meat Loaf, Tom Arnold, Canny Wilson, Rush Limbaugh, Jerry Garcia and Mama Cass.

Tommy Boy (1995), followed by the Hollywood movie starring Farley in Black Sheep (1996) and Beverly Hills Ninja (1997). During this period he was in and out of rehab at least 17 times. Although public worship had increased, their self-loathing and destructive ways continued.

Farley said he was ‘afraid’ of people, so he would act in a derogatory manner that included drugs

During a 1997 interview for Rolling Stone, Farley admitted that he was always fearful. Horrified by the people and the crowd, he used his abusive behavior to create a screen he could hide behind.

He was afraid that his films would bomb and he would never work again; That he would never love a woman for whom he really was; That if he had lost his weight he would no longer be funny. In 1996, Farley stated that he sometimes felt “trapped by always being the most abusive man in the room.”

When questioned about his cocaine and heroin use, Ferlemy was attentive.  because I worry about the kids who might think, wow, man, that Is cool! ‘Because in some ways, this is what I did with my hero, Belushi. I thought that’s what you would have to do to be cool. But it all kills ***. It’s a demon. That should be smelled is.”

Farley was invited back to his SNL stomping ground as host only once. The episode did not go well. He hurt his voice during rehearsals, which resulted in him making a hoarse voice for the live show. Media outlets noted her apparent decline in health.

How Jeff Dunham Taught Himself Ventriloquism at Eight Years Old

A ventriloquist has the ability to keep his mouth shut and to say that he “throws” his voice like a dummy or a puppet is actually talking. Famous ventrilquist Jeff Dunham has mastered this skill, and his appearances with characters such as Peanut, Walter and Achmed the Dead Militant have earned him a fanfare.

Before he rose to fame, Dunham’s involvement began in 1970 when he received Ventriloquist’s doll for Christmas. The gift interested him so much that he soon immersed himself in ventriloquism, studying technique and practicing intensely. And, as it turned out, he ended up with his dream career.

Dunham gets his first ventriloquist dummy for Christmas

On a trip to the Dallas Toy Store with her mother before Christmas in 1970, an eight-year-old Dunham child-friendly version of a Ventrilquist’s doll became known as Mortimer Sird. However ventriloquism had declined in popularity as in the early part of the 20th century in the days of Woodville, Bergen became very successful through radio.

Thanks to television and film appearances, Bergen and his dummy sidekicks – in addition to an intellectually inept Snerd, Bergen worked with debonair Charlie McCarthy – became quite famous in the 1960s and ’70s.

In his memoir, All by My Selfs, Dunham stated that although he watched Ventriloquist on TV, it was the first ventriloquist’s dummy he encountered in real life. Familiar, he asked his mother to buy it. Although he did not receive the doll that day, his mom was looking for Christmas gift ideas. When Dunham opened his pamphlets on 25 December, he discovered Sinard among them.

Dunham is pleased with the gift. Yet he had not been thinking at all for Sinard since his visit to the toy store – in his memoir, he admitted that he had completely forgotten about the doll. Luckily, his mother had noticed, and everything else fell into place for Dunham to get it. As he notes in All By My Selves, “Life is a series’ What If If.

What if I didn’t make that turn at the Toy Store and saw the ventriloquist dummy? What if my mom thought That it’s a feather-brained? Idea and boys shouldn’t play with dolls? What will I do today? ”

Even as a child, Dunham was prescribed master ventrilateralism

Obtaining the dummy Mortimer Snerd, the first step on the road to Dunham was to become a Ventrilquist. Next, they needed to learn how to keep their mouths shut and speak as Snerd, all opening and closing Snerd’s mouth – to maintain the illusion that Snerd was a talker – the doll’s neck. By manipulating a string behind.

The dummy came with some instructions about ventriloquism, but it was not enough for Dunham. Soon after Christmas, he visited a bookmobile operated by the Dallas Public Library to obtain material about ventrilocism.

On another visit to the Toy Store, he garnered an instructional record with Jimmy Nelson Instant Ventriliquism (Nelson was a ventriloquist who appeared on TV in the 1950s, the most memorable name in advertisements for Nestle’s Quick). Dunham would repeatedly listen to Nelson’s recorded instructions. The final phase was straightforward, but required a lot of discipline for a young boy: hours and hours of practice.

Dunham has said of ventrilism, “There is a skill to it, but anyone can learn to do it. It likes to learn to play musical instruments.” With his Snerd figure, he began the learning process, dealing with issues like how to mask the fact that some characters are impossible to sound without shaking your lips. Dunham spent hours in front of his bathroom mirror trying to study his facial expressions and steady his mouth.

Ventriloquist dummies were widely available for children at the time, and many of Dunham’s contemporaries had them. But Dunham stood out for how he threw himself into learning ventriloism. Kaushal fascinated him, so he was ready to practice intensely so that other children would be underpowered. And, as a shy boy, he appreciated the fact that ventriloquism offered him a way to be more outgoing.

Dunham understood the importance of characterization

In a 2014 interview, Dunham stated, “The magic in performing as an entertaining ventriloquist is when the characters get life and the interactions between different personalities on stage become ‘real’.” Even as a boy, he started trying to figure out how. To achieve such characterization. He delimited encyclopedias to learn about the history of ventriloquism and studied routines found on TV and recordings.